From The High End To The Low (East)

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From The High End to The Low (West)

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An Important Message For Constant Fans of ‘Moving On’

Hello. My name’s Bob Hill. And a week and a half ago I posted what was supposed to be the opening edition of Moving On: Season Three. The only problem being, it absolutely sucked. I know it. You know it. … Read MoreRead More

Film Capsule: The Company You Keep

Robert Redford still has important stories left to tell. And what’s more, he’s apt to tell them. So apt, in fact, that he’s willing to bypass the Hollywood system entirely. Redford not only appears in most of the films he … Read MoreRead More

Galleria: The AIPAD Photography Show @ Park Avenue Armory

AIPAD (The Association of International Photography Art Dealers) has been holding its annual mixed media exhibition for well over 30 years now. Over time, the show has morphed into something more akin to an art-world happening, attracting major galleries across … Read More

They Shall Beat Their Swords Into Plowshares

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Classic Capsule: The Seventh Seal (1957)

It’s pretty fascinating to trace the long-term impact of Ingmar Bergman’s Seventh Seal. In terms of modern cinema, it would probably make sense to dive right in with Woody Allen. Allen pulls symbiotically from Bergman, time and time and time … Read MoreRead More

Film Capsule: Down The Shore

You’ve really gotta hand it to James Gandolfini – in the iron-hot days immediately following his 10-year run as the greatest television character of all-time, dude had the prudence to step back and allow his typecast image some much-needed room … Read MoreRead More

Pauline Kael on Mainstream Versus Avant-Garde (1956)

“The responsibility is on the artist, even when he tries to evade responsibility. If, so far, American experimental and ‘little’ films haven’t received much support, most of them haven’t deserved it, either. All too frequently, after an evening of avant-garde … Read More

Film Capsule: Simon Killer

Simon Killer is a well-acted, well-directed film that’s going nowhere, slow. I mean, somewhere – somewhere deep inside – there may exist some subtle subtext regarding the way American aristocrats treat their French brethren like whores. But, otherwise, the entire movie’s … Read MoreRead More